The Importance of being Bant Singh
"Thorns to Competition" amongst the top 10 best sellers of the week.
The past decade has seen an upsurge of Dalit resistance in Punjab and the struggle of Bant Singh has brought fresh hope for exposing the ‘hidden apartheid’ in the state. Nirupama Dutt travels to his village of Burj Jhabbar in the cotton belt of Punjab to know the man and the movement
Film actor Ajay Devgan presents his story on a popular television channel. Musicians like Chris Mcguiness and Taru Dalmia travel to do a music project with him. Recording companies from Mumbai want to bring out his album. He is also slated to participate in the Jaipur Literature Festival in January 2011.
Who after all is Bant Singh? He was just another leader of agrarian workers who also sang revolutionary songs and struggled to make ends meet for his wife and eight children in the past decade. What happened to make him a heroic symbol of Dalit resistance in Punjab? Bant was born in a Mazhabi Sikh family. Mazhabis were former ‘untouchables’ who were inducted into the fold by the Gurus as Sikhism rejected the Hindu caste hierarchy. Yet the malaise of caste was to permeate the fabric of Sikh society with the hierarchical shift as the Jats were the landlords and the Dalits the agrarian labourers.
Bant could hold his own as he was politically aware, choosing not to work as an attached labourer. He instead sold cosmetics and toys besides rearing hens and pigs. He continued to be politically active, organising labour, helping them come out of never-ending debts through court cases and demanding fair wages. As vice-president of Mazdoor Mukti Morcha, a wing of the All India Agricultural Labour Association (AIALA), he irked landlords who were used to undisputed serfdom. He sent all his children to school and did not allow them to work in the Jat fields.
The turning point came in 2002 when his minor daughter Baljit Kaur, a student of Class IX, was gang-raped. He did not let it pass as is the custom because the rape of a Dalit girl by a Jat boy is common. Bant decided to fight for justice and three persons, including a woman accomplice, were sentenced to life imprisonment. “I was offered money to withdraw the case but I did not want to compromise on the honour of my daughter. We struggled for justice and got it.” However, he had to pay a heavy price for taking on the Jats. He was physically attacked several times. Then on the evening of January 5, 2006, seven Jat boys brutally beat him up with iron roads. His arms and legs were pounded to pulp. He lay for several hours in the fields till he was taken to Mansa Civil Hospital where the doctors were indifferent to him. After 36 hours, once gangrene had set in, they said they could not treat him. Bant’s comrades raised money and moved him to the PGIMS in Chandigarh.
The doctors had to amputate his two arms and a leg. When Bant was given this news, he said bravely: “I still have a tongue and I will continue to sing against oppression”. Indeed, he did surprise the doctors as well as the patients by singing out loud and clear the revolutionary songs of Punjabi poet, late Sant Ram Udasi, from his bed. Two months later, he came out of the hospital to address a public rally in Chandigarh. In different hospitals for over two years, he continued to sing.
His great courage brought attention to his spirit of resistance. The media came to him, the police upgraded the case to Section 308 of the IPC and the accused were arrested. Relevant sections under the SC/ST Act were added to the case. The attack on Bant was aimed at terrorising him and all other Dalit labourers but the outrage was such that thousands of them started coming to the rallies held in his support all over Punjab. His courage and songs gave hope to others. The culprits were jailed for seven years.
Sanjay Kak, who was asked by Bant’s comrades to make a film on the man, says: “I had not gone to make a film but it was Bant who made it by the sincerity of his emotions and the angst against the oppression of centuries.” The seven-minute film called Bant Can Still Sing is counted among one of the most eloquent films made by Kak. When I got to meet Bant at his home in Burj Jhabbar, I found him resting on a charpai under a kikar tree in his courtyard. He was quick to greet me with a broad smile. Raising his amputated arm, he hailed me with a Laal Salaam. Soon he was singing inspiring songs and telling me about his campaigns for farm labourers. “They wanted to silence me but I have been able to give out the message far louder than before,” he says. The strength to fight back, he says, came from his ideals, Guru Gobind Singh and Shaheed Bhagat Singh. True, the Dalits had been terrorised when Bant was beaten to pulp but now the Jats too are wary about the excesses for there could be other Bants who will fight back. This is what makes him the hero of Dalit resistance in Punjab.
A Laal Salaam indeed to this man who has turned the tide after centuries and about whom journalist Amit Sengupta says: “In a tangential sense, the ideology of upper caste domination has been pushed to the wall by Bant Singh’s sacrifice and valour. He has become a revolutionary icon, a catalyst for change, a protector of human and fundamental rights, a symbol of defiance against archaic symbols of feudalism and slavery, a physical reality of a dream which is not so impossible.”
For More IIPM Info, Visit below mentioned IIPM articles.
IIPM ranks No 1 in International Exposure in the 'Third Mail Today B-School Survey'
Management Guru Arindam Chaudhuri Dean Business School IIPM
IIPM Excom Prof Rajita Chaudhuri
Kapil Sibal’s voters want Jan Lokpal, not Government-proposed Lokpal Bill
IIPM: What is E-PAT?
IIPM RANKED NO.1 in MAIL TODAY B-SCHOOL RANKINGS
'Thorns to Competition' - You can order your copy online from here
IIPM, GURGAON
The past decade has seen an upsurge of Dalit resistance in Punjab and the struggle of Bant Singh has brought fresh hope for exposing the ‘hidden apartheid’ in the state. Nirupama Dutt travels to his village of Burj Jhabbar in the cotton belt of Punjab to know the man and the movement
Film actor Ajay Devgan presents his story on a popular television channel. Musicians like Chris Mcguiness and Taru Dalmia travel to do a music project with him. Recording companies from Mumbai want to bring out his album. He is also slated to participate in the Jaipur Literature Festival in January 2011.
Who after all is Bant Singh? He was just another leader of agrarian workers who also sang revolutionary songs and struggled to make ends meet for his wife and eight children in the past decade. What happened to make him a heroic symbol of Dalit resistance in Punjab? Bant was born in a Mazhabi Sikh family. Mazhabis were former ‘untouchables’ who were inducted into the fold by the Gurus as Sikhism rejected the Hindu caste hierarchy. Yet the malaise of caste was to permeate the fabric of Sikh society with the hierarchical shift as the Jats were the landlords and the Dalits the agrarian labourers.
Bant could hold his own as he was politically aware, choosing not to work as an attached labourer. He instead sold cosmetics and toys besides rearing hens and pigs. He continued to be politically active, organising labour, helping them come out of never-ending debts through court cases and demanding fair wages. As vice-president of Mazdoor Mukti Morcha, a wing of the All India Agricultural Labour Association (AIALA), he irked landlords who were used to undisputed serfdom. He sent all his children to school and did not allow them to work in the Jat fields.
The turning point came in 2002 when his minor daughter Baljit Kaur, a student of Class IX, was gang-raped. He did not let it pass as is the custom because the rape of a Dalit girl by a Jat boy is common. Bant decided to fight for justice and three persons, including a woman accomplice, were sentenced to life imprisonment. “I was offered money to withdraw the case but I did not want to compromise on the honour of my daughter. We struggled for justice and got it.” However, he had to pay a heavy price for taking on the Jats. He was physically attacked several times. Then on the evening of January 5, 2006, seven Jat boys brutally beat him up with iron roads. His arms and legs were pounded to pulp. He lay for several hours in the fields till he was taken to Mansa Civil Hospital where the doctors were indifferent to him. After 36 hours, once gangrene had set in, they said they could not treat him. Bant’s comrades raised money and moved him to the PGIMS in Chandigarh.
The doctors had to amputate his two arms and a leg. When Bant was given this news, he said bravely: “I still have a tongue and I will continue to sing against oppression”. Indeed, he did surprise the doctors as well as the patients by singing out loud and clear the revolutionary songs of Punjabi poet, late Sant Ram Udasi, from his bed. Two months later, he came out of the hospital to address a public rally in Chandigarh. In different hospitals for over two years, he continued to sing.
His great courage brought attention to his spirit of resistance. The media came to him, the police upgraded the case to Section 308 of the IPC and the accused were arrested. Relevant sections under the SC/ST Act were added to the case. The attack on Bant was aimed at terrorising him and all other Dalit labourers but the outrage was such that thousands of them started coming to the rallies held in his support all over Punjab. His courage and songs gave hope to others. The culprits were jailed for seven years.
Sanjay Kak, who was asked by Bant’s comrades to make a film on the man, says: “I had not gone to make a film but it was Bant who made it by the sincerity of his emotions and the angst against the oppression of centuries.” The seven-minute film called Bant Can Still Sing is counted among one of the most eloquent films made by Kak. When I got to meet Bant at his home in Burj Jhabbar, I found him resting on a charpai under a kikar tree in his courtyard. He was quick to greet me with a broad smile. Raising his amputated arm, he hailed me with a Laal Salaam. Soon he was singing inspiring songs and telling me about his campaigns for farm labourers. “They wanted to silence me but I have been able to give out the message far louder than before,” he says. The strength to fight back, he says, came from his ideals, Guru Gobind Singh and Shaheed Bhagat Singh. True, the Dalits had been terrorised when Bant was beaten to pulp but now the Jats too are wary about the excesses for there could be other Bants who will fight back. This is what makes him the hero of Dalit resistance in Punjab.
A Laal Salaam indeed to this man who has turned the tide after centuries and about whom journalist Amit Sengupta says: “In a tangential sense, the ideology of upper caste domination has been pushed to the wall by Bant Singh’s sacrifice and valour. He has become a revolutionary icon, a catalyst for change, a protector of human and fundamental rights, a symbol of defiance against archaic symbols of feudalism and slavery, a physical reality of a dream which is not so impossible.”
For More IIPM Info, Visit below mentioned IIPM articles.
IIPM ranks No 1 in International Exposure in the 'Third Mail Today B-School Survey'
Management Guru Arindam Chaudhuri Dean Business School IIPM
IIPM Excom Prof Rajita Chaudhuri
Kapil Sibal’s voters want Jan Lokpal, not Government-proposed Lokpal Bill
IIPM: What is E-PAT?
IIPM RANKED NO.1 in MAIL TODAY B-SCHOOL RANKINGS
'Thorns to Competition' - You can order your copy online from here
IIPM, GURGAON
Labels: Bant-Singh, IIPM
Rashmi Bansal Publisher of JAMMAG magazine caught red-handed, for details click on the following links.
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